Tag Archive for biographical

The Power of Influence: Charles Wesley

As you read each post in this series,
I hope you’ll think with gratitude about those who have influenced you, and
I hope you’ll ponder your investment in the lives of others.

As a music composition major at the College-Conservatory of Music, the University of Cincinnati, I trained to be a composer of classical music. To learn our craft, we intensely studied the works of classical masters. In the years before sound recordings, composers used to learn the techniques of classical masters by hand-copying their scores.

One of the best ways to learn hymn writing is to employ the same strategy: study the hymns of the best hymnwriters. Immerse yourself in their work.

Before I had any personal designs on being a hymnwriter, the Lord exposed me to the hymns of many, many hymnists. Since I grew up in a hymn-singing church, hundreds of hymns were already engrained in my emotional memory. Then in my 20’s and early 30’s, I collected old hymnals and read many of them. While at the University of Cincinnati, I used to take old hymnals out of their rare books collection and photocopy entire hymnals on the spot so that I could read through them on my own.

In my early 20’s, before coming to Lillenas and before having any designs on music publishing or hymn writing, I bought numerous newly-published collections of songs and hymns. Some were contemporary collections from the “Jesus music” movement here in the U.S., while others were the hymns of British hymnwriters from the “Hymn Explosion” of the time—Fred Kaan, followed by Brian Wren, Fred Pratt Green, and Timothy Dudley-Smith. I read through each and every song and hymn. Often I would make notes on what I liked and didn’t like about each selection. What great training the Lord gave me! I had no ambitions. I was just following my interests.

During my first 12 years at Lillenas, I consciously prepared for the next denominational hymnal by reading through uncounted complete hymn collections looking for potential hymns. Some of the best of these found their way into Sing to the Lord (1993), which I had the privilege of editing.

I say all the above to make this point: in my formative years, I read many thousands of hymns from a wide variety of traditions. But I particularly studied the hymns of one particular writer: Charles Wesley. In addition to encountering his work in older hymnals, two projects intensified my exposure to his hymns:

1.  Around the late ‘70’s, scholar Carl Bangs went to Bud Lunn, then head of Nazarene Publishing House, and suggested that the company release a new collection of Wesley hymns. I was given the joyful task of compiling such a book, which meant combing through many hundreds, perhaps thousands, of Wesley hymn texts. Wesley Hymns was released in 1982.

2.  During that same time frame, Wesleyan theologians were debating whether John Wesley associated entire sanctification with Pentecost. I contributed to the debate by doing a comparative study of the two topics as treated in the Wesleys’ hymn publications. The fall, 1982, issue of the Wesleyan Theological Journal published my study, “The Wesleys’ Hymns on Full Redemption and Pentecost: A Brief Comparison”.

As I immersed myself in Charles Wesley’s hymns, they became part of me. He wrote hymns for public worship, as well as more devotional hymns, and both were infused with his deep desire for the fullness of God.

He so beautifully and naturally balances the objective and the subjective. His fervent passion was fueled by both reason and emotion, by scripture as well as personal experience. As a result, notice the wide variety of protestant traditions that still consider his hymns a high water mark. The sheer quality of his work has taken his hymns far beyond their theological home turf.

I’ve long wanted to infuse my own hymns with his balance. And how the evangelical church still struggles to find that balance! The Apostle Paul could have been talking about Wesley hymns when he wrote:

I will sing with the spirit and I will sing with the mind also. (1 Corinthians 14:15, NASB)

Father, thank you for providing the example and influence of Charles Wesley. Continue to keep our minds and hearts open to his lessons.

The Power of Influence: C. S. Lewis

As you read each post in this series,
I hope you’ll think with gratitude about those who have influenced you, and
I hope you’ll ponder your investment in the lives of others.

I am a huge fan of audio books and have been for many years. That’s how I first came to know the writing of C. S. Lewis (1898-1963). At present I own recordings of 25 books by him and another five books about him.  I’ve listened to most of them multiple times. He is easily my favorite extra-biblical author.

I’m including him among my major influencers, even though I never met him. I’ve written elsewhere about how his ideas on reason and imagination have enlightened me (see Reason and Imagination). But that’s only one of the ways his writing has enriched my thought and my life.

When I began reading and listening to his books, the first thing that struck me was how clearly he thought and wrote. He dealt with complex ideas and chains of reasoning with amazing clarity and simplicity. That’s what I need to do as a hymn writer. Hymns must express complex and lofty ideas in a way that is understandable and natural for the average lay person. C. S. Lewis shows that it can be done and points the way. For me, his apologetic works do this best, especially Mere Christianity, The Problem of Pain, and Miracles.

I rarely read or listen to fiction, but Lewis is a shining exception. His fiction inspires me to see the world from a broader, loftier perspective. His stories give me hope. He unselfconsciously shows Almighty God working His loving will in the real, physical world in which we live. Again, this points the way for my hymns. His Chronicles of Narnia are justly famous along this line, but I love The Great Divorce for the same reason. And don’t miss his space trilogy, Out of the Silent Planet, Perelandra, and That Hideous Strength. For years I avoided them, thinking that science fiction written before 1960 would seem primitive. How very wrong I was!

The Screwtape Letters is still unique after all these years. How could a book on so dark a subject as temptation be so whimsical and even funny? Writing can be both entertaining and profoundly meaningful!

But the main reason I find C. S. Lewis so enriching is his insightfulness. With most books, even excellent ones, you are likely to get fresh, provocative insights only every once in a while. With Lewis, the insights are an almost continuous stream. My impression is that this comes not just from his great mind and great heart, but from the fact that he read deeply and widely. He seemed to synthesize insights gleaned from the entire body of Christian literature.

It’s not surprising that Lewis has inspired a number of my hymns. To give them a look and listen, just click on the links below. Both the printed copies and the downloadable recordings are free (see the upper right-hand quadrant for the “Listen” link).

Christ Is Come
Ever Full and Overflowing
God My Father
Longing for Jesus
Our Lord I AM
See the Father Walk Among Us
The Heart of Christ
We Choose Joy
What Will You Do with Jesus?
You Came to Us

The Power of Influence: Tom Fettke

As you read each post in this series,
I hope you’ll think with gratitude about those who have influenced you, and
I hope you’ll ponder your investment in the lives of others.

Previously, he had taught high school choral music in Oakland, California. But when we started working together, Tom Fettke was selling pianos and organs out of a store showroom. When we needed to talk business, I had to call him there.

During the early years when he worked such full-time jobs outside music publishing, he sometimes wrote third shift, between late night and early morning hours. That’s how dedicated he was to his writing. When I met him in the summer of 1975, soon after I became music editor at Lillenas Publishing Company, he had already had a Christmas musical published by Lillenas, Love, Joy, Peace, as well as several anthems.

We hit it off from the beginning. Our ideas and personalities were radically different in many ways, but we were both secure enough to be completely honest with each other. That candid communication has taken us through all the years and all the situations since.

At that point, Lillenas was going through a changing of the guard, and by the late ‘70’s, I was not only director but also in charge of product development. Whenever I had an idea or needed a sounding board, Tom was my first stop.

He and I grew up together in the church music publishing business. Tom has always been a superb composer, arranger, and producer. But what made him unique was his avid interest in the behind-the-scenes aspects of publishing. Most writers only wanted to write—forget the business end. Tom was the opposite. He was insatiably curious about the rest of publishing—product development, marketing, song selection, copyright, and more. Thus he was absolutely invaluable to this young publisher who by now had more than he could possibly handle.

Basically, my 38 years in church music publishing have been more interesting, fun, and fruitful because of my close personal and professional friendship with Tom Fettke.

But he has also had a profound influence on my writing. Coming to Lillenas out of the Conservatory, I brought with me a handful of Christian songs, with original words and music. Tom quickly praised the lyrics but asked to be allowed to do his own musical settings. Thus our relationship as composer and lyricist began early and continued through perhaps 100 songs, give or take. A number of my earlier hymns, still in print, were written at his request.

Tom was and is a perfectionist. He would ask for a lyric to fit certain criteria, or I would offer one I had written, and I could count on the fact that he would call me and name multiple spots he wanted “re-examined”—which meant redone. He forced me to be much tougher on myself in every area of lyric writing, but especially when it came to the singability of my words. I learned that I had to be unflinchingly aware of the flow of the sounds of the words, how easy and natural it was to sing those consonants and vowels to those notes, in that context. If I didn’t iron out those problems before I sent him the lyric, he would force me to address them. Over the years, I came to examine the exact motion of the mouth required to say or sing each sound and each syllable. Could that sound be easily and naturally sung to that pitch, at that tempo, in that context? If not, it had to be replaced, no matter what the sense demanded.

That training in Tom’s school of lyric-writing has proven invaluable in my later years as I’ve focused on hymn writing. Hymn writing is like building a ship in a bottle, with every word having to be exactly right in relation to a long list of criteria—denotation, connotation, singability, meter, rhyme, etc. Anything I know about writing singable lyrics was learned under the tutelage of this dear and very exacting friend.

Thank You, good Lord, for Tom Fettke!

The Power of Influence: Ralph Bible

As you read each post in this series,
I hope you’ll think with gratitude about those who have influenced you, and
I hope you’ll ponder your investment in the lives of others.

As I reflect on my dad’s life, I am struck by how very faithful God is.

Born on May 20, 1919, in Decoursey, Kentucky, he was soon moved to Cincinnati, Ohio, and he spent the rest of his life there. He was the youngest of 11 children born to Samuel Steele Bible and Sarah Bible. His older siblings had longer, more flowery first and middle names. By the time my dad came along, they were out of energy and out of names. He was just Ralph Bible. No frills, no middle name.

To show you the spread in the children’s ages, his oldest brother, Hascal, died in combat in World War I, while my dad fought in World War II.

His mother died of tuberculosis when he was two. His father was totally consumed in trying to save their farm during the Great Depression—a battle he eventually lost. Thus my dad grew up without parental models and without the attention a child needs. As a result, he struggled his entire life with a poor self-image.

Largely unsupervised, he lived wild in his younger years. Even many years later, with adult children of his own, he wouldn’t talk about the things he did when he was young. The regrets were still very real.

Fortunately, his oldest sister, Bessie, took it on herself to look out for him as best she could. She went to extraordinary lengths to keep him in church, even when it took bribing him with candy. When he came back to the Lord as a young adult, he credited Bessie’s faithfulness.

My dad was a loving, very devoted father. All the years we were growing up, he worked second shift for Proctor & Gamble. As a result, during the school year we saw him only on weekends. But he always made Saturday our day together, no matter what other obligations were pulling at him. He wasn’t perfect, but we always knew he loved us.

His spiritual influence on me was profound. As a child, I remember his prayers. His voice took on a high whine, a very emotional tone that I found embarrassing. And his prayers were far, far too long for my childish attention span. But they stuck with me. I could tell by the way he prayed that God was very real and personal to him, and that helped make Him real to me too.

During my teenage years, when I got desperately confused about something, I could go to my dad. He always seemed to have exactly the right thing to say to soothe my troubled spirit.

Throughout my growing and adult years, Dad frequently reminded me that he was praying for me, and I always knew he was.

Those who have raised children and reflected back have surely been struck by the truth of the old adage: far more is caught than taught. Our children don’t always listen to us or remember what we say. But they tend to absorb the persons we are. Our living example is a powerful influence on them.

My dad was a humble, godly man who loved his family and loved his Lord with all his heart, soul, mind, and strength. Though family economics kept him from graduating from high school, he had an intelligence, an active mind, and a profound wisdom that outreached the classroom. But his lasting influence didn’t come from intellectual brilliance, unique talents, or worldly accomplishments. His life was abundantly fruitful because of the person he was and the faith that he lived day after day, year after year.

The Power of Influence: Dr. Thomas Scott Huston

As you read each post in this series,
I hope you’ll think with gratitude about those who have influenced you, and
I hope you’ll ponder your investment in the lives of others.

Bigger than life—those are the first words that come to mind when I think of “Doc” Huston. He was over six feet tall and slightly hump-shouldered, with thinning, wispy red hair. Some of his ways would have seemed brash and uncouth in a younger, less authoritative man. His smile was warm, his gestures often broad and dramatic, and his voice could boom with unapologetic passion.

He was given to definitive pronouncements, almost theatrical in their fervor, and when the situation demanded it, he had a temper to match his red hair. As he strode down the hall with his distinctive gait, everyone knew he was there, and when he arrived at class, he “made an entrance” without even trying. But he had a twinkle in his eye that seemed permanent, even in his wrath.

During my senior year in high school, I attended a Saturday music theory and composition class in the College-Conservatory of Music building at the University of Cincinnati—part of their preparatory school program. The teacher of that course introduced me to Doc Huston. Knowing I was about to enter the Conservatory with an interest in composition, he offered to let me to sit in on one of his composition classes during my freshman year. When school rules allowed me to switch my major to music composition at the beginning of my sophomore year, I officially studied composition with him for four more years, including one year of master’s study.

His composition classes were always held in his office studio. When he played one of his students’ compositions for that week, he would attack his studio grand piano with an energy totally unbridled by correctness. I remember once when a younger student tried to tell him he was playing his masterpiece incorrectly. Bad idea. His more experienced students knew that Doc was hearing far more than he was playing.

He always had a cup of coffee and a cigar in composition class. The coffee was often a victim of his passionate gestures and would end up inside the grand piano. A cursory mopping up was all the attention it got. Cigar ashes regularly fell on a student’s precious manuscript. Doc would brush them away without missing a beat.

How many times did I hear him rant about the five perfect compositions in music history! Bach’s B Minor Mass…Brahms’ Third Symphony…there was a Stravinsky in there, but I’m ashamed to admit I don’t remember the rest.

As a student, there were some younger profs I respected more when it came to knowing the technical details of music analysis. By comparison, Doc seemed more of a broad strokes guy. Sometimes I even wondered if Doc wasn’t using theatrical proclamations to cover his lack of detailed familiarity with the literature. Forgive me, Doc.

But 20+ years after leaving the Conservatory, when I turned from writing lyrics alone back to composing my own music, it was Doc’s oft-repeated broad strokes about music composition that proved unforgettable. Doc had majored on majors, not on minors, and I reaped the rewards of his wise investment. His basic principles lie behind every good hymn setting I’ve ever written. (I’ll take the blame for the rest.)

Externally, he was not a poster child for conservative evangelical Christianity. But he was outspokenly, unapologetically Christian in a place and time when profs more often sneered at God and openly mocked belief in Him. For a college kid struggling with his faith in a very atheistic environment, Doc was a light in a dark place, a homing beacon on the shore of a safe and welcoming harbor.

The Power of Influence: John Matre

As you read each post in this series,
I hope you’ll think with gratitude about those who have influenced you, and
I hope you’ll ponder your investment in the lives of others.

My “musical career” began in fifth grade with school band. When they demonstrated each of the instruments, only the clarinet seemed like something I might be able to do, so that was reason enough. I took up the clarinet.

My band director from fifth grade all the way through high school was Mr. Matre—John Matre. I liked him.

And I guess he liked my clarinet playing, for he encouraged me all along the way.

In fact, in seventh grade, he came to me and offered me free private lessons on the clarinet, on his own time. I was flattered and honored, so I took him up on it.

I don’t remember anything specific that he ever taught me. Perhaps it’s my spotty memory, or perhaps it was because he was a trombonist, not a woodwind guy. But that didn’t matter. With my temperament, I was never destined to become a world-famous performing artist on anything, clarinet or otherwise. By the time I was 18, I was good enough to be accepted into the College-Conservatory of Music at the University of Cincinnati as a clarinetist. But at the beginning of my sophomore year, when school rules allowed me to become a music composition major, the clarinet was abandoned forever. Not even my wife of 42 years has ever heard me play.

But what was important is this: because Mr. Matre thought highly of my clarinet playing, so did I. Because my music was important to him, it became important to me.

My music ministry began there and then—in the seventh grade with free clarinet lessons from Mr. Matre. Thank you, John Matre, for giving of yourself to me. Everyone I have ever touched with my music thanks you as well.

The Power of Influence: Dr. Morris Weigelt

In mid-June, 1975, my wife, my one-year-old son, and I moved to Kansas City, Missouri, so that I could begin my new job as music editor for Lillenas Publishing Company. We immediately began attending a little church in the suburbs, Grandview Church of the Nazarene. That same week, Dr. Morris Weigelt moved to KC to take up his appointment as Professor of New Testament at Nazarene Theological Seminary. He and his family started attending Grandview Church as well.

His influence on me began as I simply heard him preach and teach. Though I had grown up in the church, he opened for me a whole new dimension in Bible teaching. He laid open God’s Word in greater depth than I had ever imagined possible. He taught with warmth, practical relevance, and a sense of bubbling fascination. His considerable intellect was blended with a spirit that was passionate and contagious.

So imagine my surprise when in 1977, he came to me and asked me to team-teach an adult Sunday School class with him. Each Sunday morning for three years we sat side by side on stools and together taught a Bible lesson to a room full of adults. Our only coordination was a brief phone conversation on Saturday night to set general direction. Otherwise, the back and forth between us was completely unscripted. The format was his idea.

Tell me, why would a Bible scholar and expert teacher in the prime of his career approach a 27-year-old kid with such a proposal? I had never taught the Bible to adults—I had never even considered it before he approached me. But I’ve never stopped teaching the Bible since, both in person and in writing.

He has continued to be a guide, mentor, and encourager to me over the years. For more of his wise counsel, see Saturate Yourself with the Truth and Don’t Pick the Fruit Too Soon.

Most importantly, Morris’ example turned me on to creative communication of biblical truth. That passion is still alive and well in me and burns behind everything I do. He showed me that God’s Word could be taught with greater depth, warmth, and relevance than I had ever dreamed.

The Lord turned my life toward doing that same thing through hymns. Congregational music can be much more than a temporary emotional experience. The truth about Jesus Christ demands that it be more. Hymns can help nurture our eternal relationship with the Living God.

Dr. Morris Weigelt helped open my eyes to this possibility, and I thank the Lord God for his influence in my life. The Lord has used him to help me fulfill His calling.

The Power of Influence: Introduction

What people have influenced you the most? That’s what I hope you’ll be thinking about as you read this series of blog posts, beginning today. Each Wednesday for the next few months I’ll be talking about an individual who has influenced me in very significant ways.

I have two goals for this series:

  1. I hope you’ll think with gratitude about the people who have influenced you.
  1. I hope you’ll ponder your influence on others.

A few years ago while my wife, Gloria, worked at a local seminary, we attended a staff retreat. In one small group, we were asked what people had influenced us the most over the course of our lives. A whole host of names were written on the board. Then the leader asked us why they had influenced us so significantly. Again, the responses were recorded on the board.

At the end, we reflected on all the reasons why we were influenced by the significant people in our lives. Among all those reasons, there was not a single professional ability. No one had been had been nominated as a significant influencer because they were brilliant or talented. The people who had influenced us the most were those who had taken the time to care about us personally. 

Do you want to be a good, godly influence on someone? Care about them, and show it by investing your time, one-on-one.

My own list of influencers will include a number of people who took time to care about me. But you’ll also see a few people from the past…people of a different time whom I’ve never met. They made my list because their passion ignited my passion.

Creative work can be lonely. Serving God in any capacity can be lonely. Part of His training often involves separating His servants completely to Himself. Decades after He called me to serve Him, that loneliness is still part of my ongoing experience. I often feel like it is just Him and me in this work.

But that’s never been the truth. He has always given me companions—companions who shared my heart for the work and who generously shared with me their much-needed abilities. A few of these very significant people won’t get their own article in the weeks that follow, so please allow me to thank them here:

  • Dr. Edwin Willmington, head of the Fred Bock Institute of Music at Fuller Seminary. He is a wise and talented Christian musician who has an important ministry in connecting people who need to know each other. I have been a grateful recipient of that ministry more than once. Thank you, Ed!
  • Dennis Allen, composer, arranger, producer, keyboard player, and now college professor. If you have heard any of our recordings on LNWhymns.com, you’ve enjoyed Dennis’ work. He has arranged, produced, and played keyboards on every new demo we’ve ever done—many hundreds. His talented wife, Nan, has done all the female solos, and his equally-talented son, Mark, has recorded most of the male solos. What God-sends they have been! 
  • My daughter, Kindra Bible, full-time missionary stationed in Quito, Ecuador, and computer programmer. (Yes, with modern communications, some missionaries are computer programmers!) How could a techno-phobe like me ever have such a wonderful website? She’s the answer.

Thank you, Ed, Dennis, and Kindra! I humbly thank God for each one of you.

With each of us, our lives can play important parts in a purpose much greater than we could ever imagine. The sovereign God of all reality can use each of us to influence precious people, present and future. So stay faithful in the place He has put you.

What Could You Do If Nothing Else Mattered? cont.

For years I had felt that I was simply one of the church’s mechanics. I helped keep the church’s machinery running, but my life and work had little impact on the needy world around me. I knew Christ could give a totally satisfying life to all the people I passed every day, but I had no way to tell them. Finally, one day in the middle of this frustration, God confronted me with the question, “What could you do if nothing else mattered?”

His question started me on a search. I came across 1 John 2:6: Whoever claims to live in him must walk as Jesus did. (NIV)

So I started a study of the gospels, looking for answers to these questions: How did Christ walk? And therefore, how should I walk?

I noticed in the gospels that to reach people, Jesus didn’t build a church and invite people to come. He ministered among them. He took whatever opportunities afforded Him to speak to people where they were: in the marketplace, in the streets, over meals, in homes, in chance personal encounters.

I began to think how I might communicate with people. I looked at the major means of communication in our society. We have a large, well-developed Christian media, but secular society generally ignores it. And we have a large, well-developed secular media, but they usually want little to do with the gospel.

So I thought about “underground” ways of communicating. A newsletter? Tracts left in restaurants, doctors’ offices, etc.?

About that time our local church put out a call for people interested in joining a task force—a task force with the job of reaching the community around our church for Christ. To make a long story short, my wife, Gloria, and I became part of Neighbor to Neighbor Ministries, a systematic, non-invasive way of drawing people, not necessarily to our local church, but to Christ Himself.

I became the writer for the ministry. I wrote a series of 12 monthly mailers that went out to each home in our community under the non-threatening name, For Your Consideration. As a sequel to that, I wrote another 12-month series titled Living the Natural Way, dealing with life issues from a Christian perspective.

Those pieces became the starting point for Living the Natural Way, our own publishing ministry. We began with 12 pocketsize books, and that soon expanded to include the publication of my hymns through our website, LNWhymns.com. How the Lord worked out all that is another story.

But the point is this: It’s easy for us to continue to talk just to evangelical believers because we’re comfortable with them. We share a common viewpoint and a common language. We tend to forget about the rest of the world. But God doesn’t forget.

We can let the walls of the church circumscribe our efforts at drawing people to Christ. But that’s not the way Jesus worked, and it’s not the way God continues to work.

We cannot make the same mistake that ancient Israel did, forgetting that our calling and our chosen-ness is not to the privileges of a small, elite group. It’s a calling to be His light to the entire world.

During His earthly ministry, Jesus often answered a question with a question, drawing people into a discovery of faith. That’s what He did with me. I was asking, “What can I do?” He turned the question back on me: “What could you do if nothing else mattered?”

His question led me to realize that my inability to impact my world with the truth about Christ resulted from my own lack of commitment and faith.

My journey of faith continues to lead me in new directions, with many unexpected twists and turns. But He continues to inflame me with the desire to glorify Him, to help everyone realize just how great and good He is.

What Could You Do If Nothing Else Mattered?

I had worked for a denominational publisher for many years. The work was challenging, and the Lord was blessing it.

But in my worst moments, I saw the denomination as a big machine that was more concerned with itself than it was with the massive world outside. And I saw myself as a mechanic that spent my life just servicing the machine, keeping it running. I didn’t feel I was doing all I should do or wanted to do or needed to do in the human world in which I lived.

The more meaningful and satisfying my own relationship with Christ became on a moment-by-moment basis, the more I realized that Christ could bring a perfectly satisfying life to absolutely everyone around me. Age didn’t matter. Intelligence and educational level didn’t matter. Personality didn’t matter. Culture, financial status, none of that mattered. Christ could be personally, completely fulfilling to each and every individual around me.

I would go out in public, to shopping malls, sporting events, and craft shows, and realize that Christ could bring peace and meaning to absolutely everyone there. Yet I had no way to tell them, and I was repeatedly frustrated.

Then one Saturday in February, 1995, my wife, Gloria, and I went shopping on Metcalf, a main thoroughfare in Johnson County, Kansas, one of the wealthier areas in the Kansas City metro. I left her at a home decorating show. It was crammed wall-to-wall, elbow-to-elbow with people shopping for nothing but ways to make their homes more pleasing.

As I drove out, I passed a huge store on the right—nothing but sporting goods; people seeking leisure for the physical body.

On the left was an electronics super-store; nothing but electronic entertainment.

I drove north to a large bookstore, overflowing with people looking for intellectual stimulation.

And the road in-between was crowded with people as well, all looking, all shopping, all willing to spend their living for things to make their lives better. The frustration returned, but on this day, something happened.

I’ve never heard God speak audibly. Usually He speaks to me through impressions on my mind and heart. But on this occasion, as I pulled into a parking lot, it seemed like God was speaking to me in my mind, using these very words: “What could you do if nothing else mattered?”

That question stopped me short. I didn’t know the answer. Still, I felt that because God asked the question, He was getting ready to do something. A seed of anticipation was planted.

More next time.